Thursday, August 4, 2011

Transmission from the Center of the Universe #259

There is a subtle difference between the sports bars drinkers and the better off homeless who traverse the pathways here at the Center of the Universe, specifically the Infinite Courtyard.  At first I believed. At first I believed it to be one single thing. While their attire is often remarkably similar in screaming color scheme, brand, and style, the former are lighter on their plodding heels. Drunk on booze rather than fatigue and dark brain hauntings, they transport themselves from table to street to wall to tab with a kinetic their counterparts don’t seem often to muster. It is an attempt at sobriety, this springy gait, an attempt at sobriety shoved into motion. They have plans and have every intention of wending their way to and through them. These plans, which grew shapely legs from bar napkins found at the base of their skulls, penned evenings facing endless times jukebox memorial and flags raised in a/c reverie. Plans now enacted, they are not more, but less real, vying for attention against the wind, breasts and the sweat of new laughters. And perhaps it is in the glow of this attention that the weight of their lives is lifted—if only the slightest—to keep them keeping on.

But their foils, equally aimless but without end of the trail abode. Their steps seem emptier but with more weight. Step. The earth around them bowing its head. A respect reserved for those having borne so much life discarded by the other side of luck. It is in them rivers empty, replete with detritus thought that genius could equal, yet rearranged. Step. The wraiths know which part of the food chain is proper, and it is against same they must defend themselves, turning the trip step corner for not home.

I have seen them collide on the street, these Doppelgängers. No, there. Just beyond the Great Arch of Eternity that bridges present and future. It is a rare and engaging encounter. An attempt at covalent bonding gone wrong. Watch the mirrored look that assumes both faces. Observe the connection, like a lightning or a sucker punch, as each countenance tries its best to deny the other and itself, attempts to negate time by reaching back, jumping forward through a tunnel created by the existence of the other. Sometimes it ends. Sometimes it ends with a voice from one or the other. A line cast through the haze of recognition. A line which never lands. An opportunity always lost to what is upon us. A scent. The hopeful spark of neon. Ass swing flower pendulum of the Holy Grail.  Ascent.

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